Posts tagged Ann Arbor
Jack Visnaw is an up and coming photographer based out of Livonia, Michigan. For the past several years Jack has been experimenting with what is commonly referred to as the “artist’s gaze” and has produced many works that showcase his special brand of odd humor.
Jack is currently an MA candidate at Eastern Michigan University’s Creative Writing program and owes the program’s broad interdisciplinary structure to his start in photography.
The program has a strong interdisciplinary focus, and candidates are required to complete coursework outside of Creative Writing courses. I originally took the Beginning Photo course offered at EMU on a lark, mainly because I’d always thought photography was an interesting subject. Then I took another course. Then another. Then another.
Jack’s passion to his work has taken on new levels of dedication as he grows and expands his photographic endeavors.
I’ve found a creative experience that excites me that I obsess over, and that brings me fulfillment on an orgasmic level.
When Jack speaks of his work there is no sense of an arduous trial. He completely embraces the complexities of his chosen medium and finds enormous pleasure in the challenges. Whether there is a concern of subject, placement, lighting, or any other number of issues that can crop up for the artist, Jack allows for the process to guide him through completion of a project, building on his range of techniques and experience.
I asked Jack to describe some of the challenges he has had in his work, and his modest response further articulated his love of photography.
In hindsight, I think that it would have been easy to look at any one of the hurdles as a barrier to creation. Somehow, however, I looked at the whole process as a puzzle I was trying to work out, making adjustments and moving pieces around to see what would happen. By embracing this mindset, the creative process never became about finding a final solution at any given moment but about playing around with ideas and experimenting until something clicked.
Jack’s work ranges from sophisticated to thought provokingly odd, with a focus on unusual perspectives and humor fused into many of his pieces.
One particular piece that resonates with me is Love Note (8×10”, Silver Gelatin print). I’m drawn into the tactile sensation that the piece provokes and am overcome by the space it envelops.
The massive foreshortening of the crumpled paper becomes a terrestrial landscape to explore while deciphering the obscured writing for clues about the subject. The stark black and white explores the spectrum boundaries of saturation with an incredible range of high and low tonalities. The simplicity this piece assumes is shattered by the adapt intricacies that build from the ground up in a distinctly architectural way.
A second piece, Untitled 2 (8×10, silver gelatin print with post-development manipulation) echoes many of the same qualities as Love Note.
I appreciate the intense interest in layered direction. Jack has created numerous lines from the cracked flooring to the reposed, male figure. Shadows intercede against musculature creating an arrangement of paths for the eye to follow as it sweeps up the elongated torso of the figure.
Similar to Love Note, there is a psychological aspect for viewers and the stark black and white tones moves the focus away from simple aesthetics towards the complexities of the psyche—an all together thoughtful piece.
Humor is also an important inspiration for Jack. He notes his fascination with Elliott Erwitt’s “light humor” and allows for this kind of subtlety to be weaved into his work. The medium of Lori Nix’s constructed dioramas is also a source of motivation in his work, which perhaps impacts the artist decision to incorporate layering, whether of light or lines, or color, into many of his works. As part of a series of children’s toys, Jack’s wryness manifests. Jack goes beyond presenting questions about consumer culture and subliminal messages in advertising.
The series is about how, when a toy is bought, it’s not just the physical item that comes home to the child but all the potential play outcomes as well.
Combining amusement and irony, works like Imagination Adventure (17×22” pigmented ink jet print) and Nature in High Definition (17×22” pigmented inkjet print) are indicative of this bold attempt at a frontal assault on the viewer. There is no apology for the unflinching likeness to marketing ads; in fact it is precisely this irony of ‘product as art’ the viewer should focus on. The humor invested in these pieces should not be overlooked either as the “children’s toys” present an ironic message themselves, an additional layer that creates depth beyond the subjects the artist chose for the series. This series was especially challenging for the artist, as he suggests there were many obstacles to overcome.
The challenge was in part because there were multiple aspects of the project that tested my abilities. I was challenged conceptually to come up with an approach that didn’t look like every other toy photo already out there while still referencing the issues I wanted to explore. Once I’d settled on the idea of toys in their boxes, I had to determine how they were situated in the image (ultimately leading to the gradient background in each image). I also had to learn to photograph clear plastic packaging so that there wasn’t glare blocking out the image.
It is attention to these micro details that will further Jack’s work as he continues to produce polished and studied pieces.
Jack’s work has been exhibited in Photographer’s Forum magazine’s “Best of College Photography 2010″ book, the Museum of New Art in Pontiac, Livonia City Hall, Bombadill’s Café (formerly of Ypsilanti, MI), the Dreamland Theater of Ypsilanti, the Art Lounge at the University of Michigan Union, and in the Art Gallery at the Livonia Civic Center Library as well as appearing in the 2009 and 2010 editions of the Arts and Literary publication Cellar Roots and the April 2010 edition of 52/48 creative writing anthology. Pieces are also currently up for consideration at the Ann Arbor Public Library as well as the 2011 edition of Cellar Roots. For purchasing inquiries, contact the artist, Jack Visnaw, at firstname.lastname@example.org.
The Ann Arbor District Library is celebrating the Day of the Dead in 2010 by presenting a set of diverse artistic events around the photography exhibit “Curanderas: The Heart and Hands of Coatlicue” by Juan Javier Pescador. In the best tradition of Day of the Dead celebrations in the United States by people of Mexican descent, the AADL will feature different aspects of Mexican and Mexican American cultures. On November 1st a presentation by Juan Javier Pescador on the history and transformations of the Day of the Dead will be followed by an Aztec Dance group performance from East Lansing, led by Estrella Torrez, a professor at Michigan State University. In addition Jacqueline Moran, cultural representative of the Mexican Consulate in Detroit, will inaugurate the photography exhibit.
The exhibit will be showing October 19 – November 29, with the opening reception on November 1, at 7:00pm EST. The Ann Arbor District Library main branch is located at 343 S. Fifth Ave., in downtown Ann Arbor, Michigan. (Information quoted from press release.)
MWP will be attending this event. Please say “Hi”, if you see us there!
Gallery Project has put together a wonderful multimedia exhibit, titled “What’s So Funny?”, where artists were challenged to submit pieces of artwork that are “humorous”. The substantial exhibit showcases the works of 34 artists, many of whom are local, who answered the call. The art on display expresses humor along the spectrum of dark to joyous, and ranges from immature to intelligent.
You’re likely to stand in front of at least one of the pieces, asking “What’s so funny?”, while your friends walk away laughing hysterically. It’s obvious that not everybody cracks up at the same thing. Humor is a wonderful thing to explore.
Gallery Project, one of the few actual galleries in Ann Arbor, has a beautiful downtown space. Gloria Pritschet, gallery co-founder, says that the gallery is operating in its first year without guaranteed funding, as their primary backer had only promised funding for the first five years. They’re now operating into their sixth year. The gallery hosts nine collaborative, themed exhibits a year, with themes and submission requests offered well in advance.
I attended the opening reception ceremony with Jason Wright, our researcher, and Carrie Ann Knauss, our soon to be guest blogger, was our guide. As the three of us approached the gallery, professional painters were just finishing repainting the trim on the outside of the building in a dark teal color. There were wet paint signs stuck everywhere on the windows, and several passers by remarked that it seemed like a marketing gimmick, referring to freshly painted canvases inside.
We showed up right as the ceremony started, and had a chance to talk to the gallery co-founders and directors, photographer Gloria Pritschet, and painter Rocco DePietro. They were very friendly, answered our questions in abundant detail, were interested in our impressions of the exhibit, and were appreciative of our interest in the arts. As the artists arrived, Pritschet and DePietro were very helpful at introducing us while managing to also successfully greet each guest and hold many in-depth conversations.
As we wandered from front to back, the three of us couldn’t help but start a discussion about what we each found funny and not so funny. The show was obviously doing its job, and if you go, we recommend bringing your friends and discussing the pieces together. You’ll learn a lot about humor and what it means to yourself and others.
The only piece that we could all agree on was an oil painting by Nathan Boyer titled “The World As Will”. Actually, it wasn’t the painting itself, which was quite aesthetically beautiful while evoking a dark feeling of dread, but underneath the painting was a small 13″ cathode ray tube television playing a DVD. The video was of a very animated man, which we can only assume was the artist, dressed as the type of insect like alien you might see on a children’s show. His rambling was absurdly funny and he was greenscreened in front of a larger version of the painting.
I’m quite a big computer geek, so I was drawn to a piece of installation art by Anthony Fontana titled “#sculpturefail”.
Using the word “fail” after a word has been a frequently used Internet meme evolved from the term “epic fail”, to indicate a situation where an attempt at something has resulted in utter failure. I can imagine the artist trying to come up with the most absurd piece of modern sculpture to fit the name, finally settling on just grabbing a bunch of unsharpened pencils into a bundle, letting go, and thinking, “Art, lolz.”
The piece of art makes a social statement, and a funny one, making light of both the art and Internet cultures.
While I was photographing the scuplturefail, Jason and Carrie Ann had disappeared. I found them in the back of the gallery, in the area where set designer Vince Mountain and audio engineer Frank Pahl, had put together an eclectic combination of kinetic art, light, and sound with performance by actor Malcolm Tulip.
Carrie Ann was engaged in a conversation with Tulip, or at least was being engaged by the amusingly talkative actor. Tulip was dressed in a tuxedo and wore glasses, a fez, and multiple fake handlebar mustaches. While holding a brandy glass, and in a drunken English accent that reminded me of Dudley Moore from “Arthur” but with the posh manners of Mr. Belvedere, Tulip talked the three of us up while showing us around his lovely “Automatic Bachelor Pad”.
Never breaking character, Tulip told us about the wonderful inventions in his bachelor pad, giving us a drunken Englishman’s interpretation of the devices and decorum. He demonstrated the “Self-Emptying Ash Tray” to us with quite a bit of amusement in his voice, which was quite catchy and we all found ourselves laughing at the show.
At one point, Tulip invited our lovely Carrie Ann to sit down and read one of his fine books, which she took him up on. I was able to snap a picture of the two of them, with Tulip reflected in the mirror.
The chap was quite chatty, which can happen when one lives alone, but we managed to evade his small talk and headed back out to the main floor of the gallery.
Jason and I stared at the remarkably carved wood sculpture of a rabbit for quite some time, but the joke was over our heads. Unfortunately we didn’t notice the obvious shape of the piece of wood or consider one of the many names given to bunnies.
Just curious to see who had carved the beautiful piece, we looked at the program, at which time we saw the title. “Oh!” we exclaimed, as the punchline hit us. Jason and I found it to be quite a clever joke, and we quickly dragged Carrie Ann over to show her the sculpture, which had been carved by Todd Frahm. We told her about the piece and its title, and waited for the punchline to sink in. I think that Carrie Ann laughed more at our amusement than at the punchline. Another example of how we all find different things funny, and humor strikes us all in different ways.
In the basement was some fun art from Tim Péwé, like the piece titled “Gator Emporium”, and some rather creepy art by the same artist titled “Shasta”, which made me think of what a nightmare would be like if it was drawn by comic artist Mike Judge of “King of the Hill” and “Beavis and Butt-head” fame.
Before we left, we had a chance to talk to Paul Marquardt, a multi-disciplined artist with 35 years of experience, that had driven down from Kalamazoo for the opening ceremony.
The mixed media piece is constructed from a digital print on taut canvas and an electric rocker motor, and it highlights a social observation that people will use one word when they should be using the other word. Paul had a few words to say about his motivation behind the piece.
People will often use the word taunt when they meant taut. Very common. Very common mistake, and I have to say in my younger years, I did it a few times too. So it has some resonance with me, and it has resonance when i hear other people do it.
I actually had no idea that these two words were mistakenly interchanged so commonly. I don’t have many conversations where either of these words is used. I do often see people misuse the word “defiantly” to mean “definitely”. The piece has a motion element to it when it’s plugged in, so our photo doesn’t do it justice. You should check out this very smart piece for yourself, at this very fine gallery that deserves your patronage. There are a ton more pieces of fine art at this show, that we didn’t have time to highlight.
Humor is a personal experience. It strikes us each in its own way, which we seem to have little control over. We might be sore about something one day, and be ready to laugh about it the next, and we might be laughing more than our friend who never shared the same experience. Even if we can’t all agree on what’s funny, it’s more fun to disagree with smiles on our faces.
Gallery Project is located at 215 S. Fourth Ave, in downtown Ann Arbor, Michigan. The “What’s So Funny” exhibit will be showing through November 28, but we recommend that you go out and see it as soon as possible because you don’t want to put it off and take a chance of missing it. The gallery is open every day except Monday. Please give the gallery a call at 734-997-7012 for more information, or visit their Web site.
MWP would like to thank the gallery’s directors for putting together such a wonderful and thought provoking exhibit, and for being so gracious. We’d also like to thank the artists for contributing their time and passion into this collaborative event. Please click on the “I HEART THIS” button to show your love for the great “What’s So Funny?” exhibit.